Pleasantview

In one of Chekhov’s stories, a character says that every happy man should have someone who taps at his door with a little hammer, reminding him that there are unhappy people in the world. Reading Celeste Mohammed’s novel-in-stories makes me think of that magical little tap—except that the door opens not to a vision of unhappiness, but to a world crammed with life that you never knew existed.”
—Claire Adam, author of The Golden Child

“The residents of Pleasantview come to vivid light in this extraordinary debut from Celeste Mohammed. Each slice of life in this Trinidadian village cuts clean to the bone, revealing how people are both complicated and complicit in the way we break each other’s hearts and bodies. From the riveting opening to the aching end, Mohammed’s gift for giving voice to each character is glorious.”
—Tracey Baptiste

“As James Joyce did for Dublin, Celeste Mohammed holds up a polished mirror to the inhabitants of the fictitious Trinidadian town of Pleasantview and dares the reader to take an unflinching look at a multi-ethnic society that is vibrant and joyous but riddled with corruption and the exploitation of women, the young, and the vulnerable. Mohammed’s writing is smart, funny, and enlivened by everyday Trinidadian vernacular, creating rich and lively portraits of a range of Trini characters. A formidable debut, Pleasantview’s razor-sharp observations of misogyny and the abuse of power are leavened by humor and a pitch-perfect ear for the language of human foibles.”
—Tony Eprile, author of The Persistence of Memory

“Pleasantview offers the reader a sharp and fearless view of the dark underbelly of life in Trinidad, filled with unforgettable characters that we meet in do-or-die situations. Marked by male violence, political underhandedness, and economic desperation, Pleasantview also demonstrates Mohammed’s remarkable range as a writer as she moves seamlessly from callousness to tenderness, humor to sorrow, lyricism to minimalism in a work that lingers in the reader’s mind long after the final page. This is a thrilling debut.”
—Laurie Foos, author of Ex Utero and The Blue Girl

“The residents of the fictional Trinidadian town of Pleasantview are divided by mistrust and racial and ethnic tension, but they are forever bound to each other by their shared histories and secrets. From Omar who is forced to confront his boss’s corruption, to Miss Ivy in her employer’s hand-me-down fur coat outside the police station, Mohammed’s characters demand to be acknowledged. In this beautifully written debut, Mohammed gives voice to the silenced and the overlooked. Pleasantview sizzles with originality and heart and introduces a fearless new writer.”
—Hester Kaplan, author of Unravished

“Pungent and searing, this is a refreshing portrait of island life told in stories that are crafted with candor and movement. Bursting with wisdom and humanity, it’s hard to believe that this book is Mohammed’s debut.”
—Candice Iloh

“These stories are full of unexpected twists and connections and infused with humor. They herald the arrival of an intriguing new voice.”
—Ingrid Persaud

Coconut trees. Carnival. Rum and coke. To many outsiders, these idyllic images represent the supposed easy life in Caribbean nations such as Trinidad and Tobago. However, the reality is far different for those who live there—a society where poverty and patriarchy savagely rule, and where love and revenge often go hand in hand.

Written in a combination of English and Trinidad Creole, Pleasantview reveals the dark side of the Caribbean dream. In this novel-in-stories about a fictional town in Trinidad, we meet a political candidate who sets out to slaughter endangered turtles for fun, while his rival candidate beats his “outside-woman,” so badly she ends up losing their baby. On the night of a political rally, the abused woman exacts a very public revenge, the trajectory of which echoes through Pleasantview, ending with one boy introducing another boy to a gun and to an ideology which will help him aim the weapon.

Merging the beauty and brutality of Trinidadian culture evoked by writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James’s A Brief History of Seven Killings, Pleasantview is a landmark work from an important new voice in international literary fiction.

Celeste Mohammed’s work has appeared in The New England Review, Litmag, Epiphany, and The Rumpus, among other places. Several of the stories in Pleasantview have won awards, including the 2018 PEN/Robert J. Dau Short Story Prize for Emerging Writers, the 2019 Virginia Woolf Award for Short Fiction, and the 2017 John D Gardner Memorial Prize for Fiction. A native of Trinidad and Tobago, Celeste graduated from Lesley University with an MFA in Creative Writing. She currently resides in Trinidad with her family.